New book with Lorena coming in 2022

I’m delighted to announce that my new book with Lorena Carrington, Magical Tales from French Camelot, will be published by Serenity Press in March 2022. It features my original translations and retellings of several wonderful French Arthurian tales from the 12th century, especially those by Marie de France and Chrétien de Troyes. Though not strictly speaking fairy tales, they include many fairy tale elements and are extraordinary stories. Lorena has created the most gorgeous visual world for the stories, with glorious, atmospheric and richly evocative illustrations. It’s been a great joy collaborating with her again!

Below is the beautiful cover, and the blurb of the book. Can’t wait for it to be out!

The legend of King Arthur began in Britain. But it is in twelfth-century France that the stories really took off, with gifted writers creating a panoply of vivid new characters and elements such as Lancelot, Perceval, the Grail and the doomed love between Lancelot and Guinevere, within a richly imagined, action-packed world of adventure, magic, romance and mystery. Women as much as men are important characters in the French stories, there’s an intriguing take on shapeshifters and other supernatural beings, and fascinating glimpses of the patterns and customs of medieval life as well as explorations of conscience and the true nature of courage. In the process these extraordinary medieval writers, such as Chrétien de Troyes and Marie de France, created a whole new immensely popular genre of literature whose appeal and influence endures to this day.

This beautiful new collection of stories translated and powerfully retold by Sophie Masson and superbly illustrated by Lorena Carrington will introduce you to some of the most striking tales and extraordinary characters and places from the French Arthurian tradition, transporting you into a gripping, magical world like no other.

Lovely trailer for album inspired by French Fairy Tales

It’s always wonderful when fellow creators working in other art forms are inspired by your work, so I was delighted when French Fairy Tales, my book with the wonderful illustrator Lorena Carrington (Serenity Press 2020), became the inspiration for talented musician and composer Reilly McCarron’s new album, Il était une fois (once upon a time in French). The album will be released in April by Serenity Press, and it features Reilly’s haunting compositions and soundscapes, brief readings in French translation by Cathy Abadie of snippets from my own retellings of the stories, and evocative singing by Cathy of the beautiful old song, A la claire fontaine. It’s amazing, actually, to hear Cathy’s translation of my retellings of the tales, because I created the English translations directly from the French originals, and now they’ve cycled back into French, but using my words!

You can read more about the album in this post by fellow fairy tale aficionado Louisa John-Krol, and watch a gorgeous trailer for the album below.

A wonderful review of French Fairy Tales today!

Absolutely delighted with the fantastic review by the wonderful writer Carmel Bird of French Fairy Tales, my book with Lorena Carrington. The review was published today in the Weekend Australian Review, and it’s the kind that every creator dreams of getting…really made my day!

Podcast interview about French Fairy Tales

Loved doing an interview recently about French Fairy Tales, as well as some others of my books, with Claudine Tinelli for her fabulous Talking Aussie Books podcast.

You can listen to the full interview here.

Lorena on creating the Herensuge in The Magic Gifts

I was thrilled when Sophie sent me the story The Magic Gifts, as it included the Herensuge, a mythical dragon from the Basque region. It often appears with seven heads (though not always), so I was somewhat relieved to see that Sophie had given hers just the one!

Dragons are so much fun to create, and I wanted our Herensuge to be huge and terrifying, but also ephemeral. Something as dangerous and smoke and fire, but like them, just as likely to dissipate into the air.

When thinking about this blog post, I decided it would be a good time to show you how I tweak photographs of ‘ordinary’ things into the magical forms I need. Happily I had already photographed the flames of a small bonfire we had in our back yard a few years ago. You can see below how I darkened the background to separate the flames. I do this mostly by exposure  and shadow/highlight changes in Photoshop RAW, then by painting out any remaining stubborn areas of background. Here is the final plume of fire, and the original photo it came from:

Similarly, the ‘smoke’ is lifted out from its background. The difference being that the ‘smoke’ is actually steam. I find it easier to get interesting shapes in a studio setting, and less likely to set off the fire alarm! Below, you can see the plume of steam/smoke ready to use in an illustration, and next to it, the original photo. The saucepan of water is bubbling away on a portable cooktop, and it’s all lit from behind to make the steam glow.

I tend to edit the photos I need as I go, fixing and adding them to the illustration as I got. Here’s a brief snippet of the Herensuge coming together.

And here he is in all his glory!

Bonus behind-the-scenes detail: The green sheep-covered hill was actually photographed in Ireland, not France (shh!), so I toned down the lurid Irish green grass a little… Until Sophie told me that the Basque region in France is actually just as emerald green as Ireland. So I bumped up the vibrance again! (And removed the blue smit marks from all the sheep…)

It was a lovely launch!

French Fairy Tales was launched online yesterday evening–it was such a lovely launch, enjoyed it so much! Here below is a link to the launch video(the event was livestreamed). And now the book is well and truly out in the world! You can buy it as a print book here, or as a flipbook(like an ebook, only better!) here.

Launch of French Fairy Tales Nov 20, online!

Delighted to announce that French Fairy Tales will be launched in a celebratory online event on Friday November 20, at 6.30 pm Australian Eastern Daylight Savings Time.

Here’s what the publisher Serenity Press says about the event:

Join us to celebrate the release of French Fairytales by Sophie Masson and illustrated by Lorena Carrington. Both Sophie and Lorena will be in conversation with the publisher Karen Mc Dermott.
It will be an evening of celebration for this beautiful book and all things French Fairy Tales.

You can join us on zoom (Link posted before the event) or watch live on Facebook.

Direct Facebook link to the event is here.

My interview on Portable Magic

The wonderful Sue Lawson interviewed me for her fabulous Portable Magic video series recently, and though it’s not specifically about fairy tales, I thought readers might be interested to hear more about my background, writing process, etc. Here it is!

Video on the inspirations and sources of French Fairy Tales

I’ve made a video presentation featuring slides and narration, to talk about the inspirations and sources behind my retellings in French Fairy Tales. These include personal and family connections, as well as information about the tales themselves. Hope you enjoy!

And by the way, on November 7, I’m running an online two-hour workshop on how to retell fairy tales, and how to use them in your fiction: you can check it out here.

Lorena on creating one of the illustrations for Beauty and the Beast

I wrote, in my first post for this blog, a little about my stay in the town of Azay-le-Rideau to photograph the chateau there for French Fairy Tales. I shared a detail from an illustration for Beauty and the Beast, and described collecting leaves and bits of plants to create the Beast himself, so I thought today I’d show you a little more of the architecture of the illustration, and share it in full.

The main room in which it’s set, is actually an in-between space. Almost a horizontal hallway between rooms, with an arched window at either end.

The chandelier hangs in the dining hall off the kitchen, a rather grand fixture for a sparse looking room. One assumes it was once full of warmth and people, and a dog or two under a much larger table.

The painting on the left was important for me to include. It depicts a stag, its antlers mirrored with Beast’s, being brought down by hunters and their dogs, reflecting the vilification wrought upon the Beast. Or perhaps, while he may be a powerful creature, he can be brought down by love….

And any Disney fan will know why I had to include the clock and gold candlesticks on that mantelpiece! They actually sit in the formal dining room, opposite the painting of the stag.

I would have liked to have included an illustration of Beauty and the Beast feasting at the very dining table at Azay, but it felt too bright with that white cloth; the chairs too modern.

And if you look closely you’ll see these little beasts holding up the ceiling’s stone arches. One thing I loved about the Azay-le-Rideau, where Sophie set the tale, is that it’s absolutely riddled with beasts large and small: carved into stone, woven into tapestries, painted above fireplaces… It is truly a fairy tale castle populated with wild creatures.

So, by weaving together the images above, along with a few secret ingredients, I created the scene in which Beauty and Beast meet and come to a wary agreement:

(Quote text, from the story.)

…the Beast appeared, and she screamed. Just once, and just because his appearance was so sudden, and because all her father’s descriptions of the Beast had not quite prepared her for the living breathing reality who now stood beside her. But she soon recovered herself, and while her father scrambled to his feet, muttering frightened greetings, she walked to the Beast with a firm step, and keeping her eyes on his face, but not saying a word, she curtseyed gracefully.

The Beast seemed pleased by this gesture. ‘Good evening, Beauty,’ he said in his deep, harsh voice. Not expressing any surprise that he knew her name, Beauty replied, ‘Good evening Beast,’ not adding a ‘sir’ or ‘lord’ because her father had told her the Beast did not like titles. 

‘Have you come here of your own free will and will you consent to stay?’ the Beast asked.

‘I have and I do,’ she answered.

He looked at her with his tiger’s eyes narrowed. ‘What will become of you, do you think?’

Beauty swallowed. ‘I do not know.’